Articles by Matt Sadler
Spike Jonze is the most mainstream of indie directors — or the most indie of mainstream directors — and his newest film Her is a triumph of quirky charm and visionary depth. Matt Sadler reviews.
Baz Luhrmann’s blockbuster is merely the newest Great Gatsby for film or television–four adaptations before it attempted to capture the dazzle and pathos of the classic. Matt Sadler us on a tour of West Egg across the decades.
In sparse and contrapuntal verse, familiar words are warped out of their comfortable meanings, and sharpened to juxtapose – but is Joyelle McSweeney’s latest experiment a success?