Articles by Steve Danziger
Steve Danziger talks with Christina Hills, a “cruciverbalist” translator from the controversial Oulipo school.
James Ellroy begins a second L.A. Quartet with his new novel Perfidia. But does it harness the demonic madness and stylistic panache of the author’s earlier works of historical crime fiction?
The collectors of rare 78 rpm records are nearly as singular and remarkable as the vinyl they seek out. A new book travels to flea markets and music fairs to discover the secrets of these American obsessives.
Elia Kazan’s unwavering confidence in his own brilliance was the spur to his successes as a director and the source of his infamy as a Cold War canary. A new collection of his letters makes his outsized personality seem even larger.
William S. Burroughs’s notorious Cut-up Trilogy was his fiercest broadside against what he felt was the tyranny of linear thought. Steve Danziger delves into their Word Hoard.
Having tried therapy and medication to treat his anxiety disorder, Scott Stossel turned to writing. His new book, part memoir, part cultural history, may be an essential document of our agitated age.
Jonathan Franzen has translated and annotated a collection of essays by Karl Kraus, the Austrian polemicist known as the Great Hater and one of the signal curmudgeonly influences behind Franzen’s fiction.
Henry Darger, icon of Outsider Art, created unnerving scenes of naked, tortured children. A new biography sets out to clear his name from would-be charges of pedophilia–but is it a reputation that really needs saving?
Near the end of his life, Orson Welles tape-recorded his lunches with a faithful industry friend. By turns hilarious and self-pitying, they give a brilliant glimpse of the aging titan. As Steve Danziger discovers, it’s almost a shame Welles didn’t make his living as a conversationalist.
In a new memoir packed with garbled madness, we get a funhouse-mirror autobiography of the legendary Richard Hell, who did more than anybody to invent punk rock and only haphazardly survived to tell the tale
Artist Laura Carton does not surf pornography for the usual reasons, By digitally removing the ‘actors’ from their backgrounds, she creates strangely suggestive landscapes. In this interview she addresses both her process and her plan.
An incurious and indifferent Jew journeys to Auschwitz to confront the kitsch and the manicured ruins, looking for a sense of connection – and finding it in the most unlikely places
Yes, we know Sam Lipsyte’s stories are laugh-out-loud funny. But all that low comedy–the pratfalls, the dirty jokes–serves as the ballast for some of the darkest stories in contemporary fiction. Steve Danziger elaborates.
The belief that Jews are the enemy of civilization is one of the West’s most tenacious and systemic ideas. Professor David Nirenberg’s new history offers a vast, seemingly inexhaustible record of a very old, very useful hatred.
Bossophilia: The idolization of Bruce Springsteen that comes from midlife nostalgia and a fear of dying. Steve Danziger confronts the phenomenon, and a new biography.
ESP-Disk’, the cult record label from Bernard Stollman, was known for two things: extraordinary, eclectic recordings and horrendous business practices. A new oral history sheds light on the glorious mess.
“I was seething with unchanneled anger, frustration, and a maddening inability to express myself. In other words, I was perfect for hardcore.” Steve Danziger on a misspent youth at CBGB.
Dubbed the Voltaire of science fiction, Robert Sheckley often denied that there was anything serious in his fabulations. But a new collection belies the claim, displaying inventive satire mixed with wisdom
With its headspinning wordplay and lunatic cast of characters, Seth Morgan’s 1990 novel Homeboy blazed like a comet into the literary pantheon. Steve Danziger revisits this grime crime classic.