Articles by Maureen Thorson
Two new books of poetry take different approaches to the written word and its conundrums. Can words express the truth, or are we asking too much of them?
What kind of reader would she be, our Poetry Editor asks, if she didn’t allow herself to be susceptible to Ange Mlinko’s sublime, piercing unreason?
Sufi mystics, barbaric yawps, and the comedy of the sexes are what’s inside Anthony Madrid’s new collection of ghazals. What does our poetry editor make of this puzzling Persian pattern?
The work of the Roman poet Catullus has always challenged the received idioms of poetry and society, and a daring new translation both underscores and undermines that iconoclastic Catullan stance.
Randall Jarrell was suspicious of attempts to turn criticism into a science: he wrote as a reader, for other readers, with the work itself foremost in his mind.
How should we relate to our cities? To ourselves? Kate Schapira couldn’t be asking more important questions in her latest collections of poems, How We Saved The City, and The Bounty: Four Addresses
“I think about how the self might be simply a series of curatorial choices, that it’s fluid, that the poetic ‘voice’ is something to play with rather than solidify.” — a conversation with cover artist Anne Gorrick
The Immortal Life of Henrietta Lacks
By Rebecca Skloot
Crown Publishing Group, 2010
In American criminal law, there is a doctrine called “the fruit of the poisonous tree.” In the 1950s, it was at the core of Fourth …
Nixon, Bushes, and the War on Terror have been surprisingly good for poetry. Maureen Thorson releases her findings on National Anthem and Dick of the Dead.
new poetry from Maureen Thorson