Articles in A Year With Short Novels
A wild fever-dream of a book, By Grand Central Station I Sat Down and Wept careers between thrilling emotion and absurd histrionics.
His short novels are the ‘ugly stepchildren’ of 20th century fiction, and yet his admirers are legion; A Year with Short Novels takes a look at Nathanael West and his two best-known works.
In our Internet-fueled new century, can the in-between genre of the short novel survive? Or have novellas – with their speed and feral intensity – finally come into their own? Our Year with Short Novels concludes.
Charles Portis’s “True Grit” features a young girl who’s all business and a grizzled gunslinger who’s all heart — but there’s far more complexity and humor to the story than the Hollywood pairing implies. Ingrid Norton looks at a great American novella.
J. R. Ackerley’s complex and marvelous novella “We Think the World of You”–in which two lonely, repressed people contend for the affections of a glorious dog–is the next work featured in “A Year with Short Novels.”
The twisty boundaries of narrative reliability are at the heart of Ingrid Norton’s discussion the neglected classic “The Pilgrim Hawk” as “A Year with Short Novels” continues.
This installment of the Year with Short Novels immerses itself in Margaret Atwood’s haunting second novel, Surfacing.
Readers have adored Truman Capote’s iconic Holly Golightly; they might be amazed, then, by how much Capote borrowed from Christopher Isherwood’s Sally Bowles
Ingrid Norton’s Year with Short Novels continues in this installment about William Maxwell’s problematically nostalgic novella So Long, See You Tomorrow
It was only a matter of time before our Year with Short Novels got around to the most famous one of them all and traveled deep into The Heart of Darkness.
The Lifted Veil, George Eliot’s dalliance with Gothic horror, turns out to be nearly as dense and cerebral as her masterpieces; though of course, in keeping with the theme of this monthly feature, it’s far far shorter.
The jewel-like perfection of Thornton Wilder’s “The Bridge of San Luis Rey” is the subject of Ingrid Norton’s scrutiny in this latest installment of “The Year of Short Novels”