Category Archives: James, Henry

“The Old High Art of Fiction”: Colm Tóibín, The Master

Once it became more solid, the emerging story and all its ramifications and possibilities lifted him out of the gloom of his failure. He grew determined that he would become more hardworking now. He took up his pen again — the pen of all his unforgettable efforts and sacred struggles. It was now, he believed, […]

“Not Simple Enough”: Henry James, The Portrait of a Lady

“You seem to have so many scruples, so many reasons, so many ties. When I discovered, ten years ago, that my husband’s dearest wish was to make me miserable — of late he has simply let me alone — ah, it was a wonderful simplification! My poor Isabel, you’re not simple enough.” I had barely finished […]

Henry James and “le mot juste”

I feel I owe Henry James a bit of an apology. In my previous post on The Portrait of a Lady I complained that his sentences were irritating. Yet, as several people commented at the time, they really aren’t, or, not much, not in Portrait. (Of course, it’s also possible that, as Dorian predicted, I have become […]

This Week In My Reading: Scale and Significance

In a way, this post is also about “this week in my classes,” as it is prompted by the serendipitous convergence of my current reading around questions we’ve been discussing since we started working on Carol Shields’ Unless in my section of Intro to Lit. In our first session on the novel, I give some introductory remarks about Shields — […]

Henry James Writes Irritating Sentences

We interrupt our regular programming (specifically, a pending but dispensable installment of ‘This Week In My Classes,’ featuring more moping about how badly Woolf’s A Room of One’s Own always seems to go over with my first-year students, plus some rueful ruminations on my own inability to shut up and let the students in my graduate seminar […]

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