August 12th.—I see the President almost every day, as I happen to live where he passes to or from his lodgings out of town. He never sleeps at the White House during the hot season, but has quarters at a healthy location some three miles north of the city, the Soldiers’ home, a United States military establishment. I saw him this morning about 8 1/2 coming in to business, riding on Vermont avenue, near L street. He always has a company of twenty-five or thirty cavalry, with sabres drawn and held upright over their shoulders. They say this guard was against his personal wish, but he let his counselors have their way. The party makes no great show in uniform or horses. Mr. Lincoln on the saddle generally rides a good-sized, easy-going gray horse, is dress’d in plain black, somewhat rusty and dusty, wears a black stiff hat, and looks about as ordinary in attire, &c., as the commonest man. A lieutenant, with yellow straps, rides at his left, and following behind, two by two, come the cavalry men, in their yellow-striped jackets. They are generally going at a slow trot, as that is the pace set them by the one they wait upon. The sabres and accoutrements clank, and the entirely unornamental cortege as it trots towards Lafayette square arouses no sensation, only some curious stranger stops and gazes. I see very plainly ABRAHAM LINCOLN’S dark brown face, with the deep-cut lines, the eyes, always to me with a deep latent sadness in the expression. We have got so that we exchange bows, and very cordial ones. Sometimes the President goes and comes in an open barouche. The cavalry always accompany him, with drawn sabres. Often I notice as he goes out evenings—and sometimes in the morning, when he returns early—he turns off and halts at the large and handsome residence of the Secretary of War, on K street, and holds conference there. If in his barouche, I can see from my window he does not alight, but sits in his vehicle, and Mr. Stanton comes out to attend him. Sometimes one of his sons, a boy of ten or twelve, accompanies him, riding at his right on a pony. Earlier in the summer I occasionally saw the President and his wife, toward the latter part of the afternoon, out in a barouche, on a pleasure ride through the city. Mrs. Lincoln was dress’d in complete black, with a long crape veil. The equipage is of the plainest kind, only two horses, and they nothing extra. They pass’d me once very close, and I saw the President in the face fully, as they were moving slowly, and his look, though abstracted, happen’d to be directed steadily in my eye. He bow’d and smiled, but far beneath his smile I noticed well the expression I have alluded to. None of the artists or pictures has caught the deep, though subtle and indirect expression of this man’s face. There is something else there. One of the great portrait painters of two or three centuries ago is needed.
Walt Whitman lived at 394 L St., directly along Lincoln’s commute.
Lincoln’s cottage on the grounds of the Soldiers’ home, one of the highest points of the city, is actually a 34-room country estate built in 1842. The horseback ride to and from the White House took at least a half an hour, but Lincoln made frequent stops, to visit with cabinet members like Stanton, but also to visit the wounded (he often rode beside horse-drawn ambulances heading to the Harewood Hospital). At points during the war the Confederate Army was so close that gunfire was audible during the rides, as well as from the house.
The White House History website has a detailed map of Lincoln’s commute here.
Whitman was not the only person to remark on the singularly deep and melancholy appearance that Lincoln presented. Artist Francis B. Carpenter said Lincoln had “the saddest face I ever knew.” Orlando B. Ficklin wrote more expansively: “”He was naturally despondent and sad, like many another who has made mirth for a merry company. He could tell a story to make a group roar with laughter, but when his face was unlit by pleasantry it was dark, gloomy and peculiar. The pictures we see of him only half represent him, as they can only show him in repose. Lincoln was a man of two distinct personages. He was a man keen insight and absorbing meditation. His sudden changes from elated joy to silent brooding over the problems of life were noticeable to all his friends. One moment a boy exultant, sunny cheery, the next a care burdened man, deep in thought.” For what little it’s worth, facial scans of plaster casts reveal that Lincoln’s face was marked by an aberration called cranial facial microsomia: the left side of his face was much smaller than the right.



Handel) rose to fame during the Civil War, writing the first song of the conflict two days after the bombardment of Fort Sumter. He wrote dozens more popular songs during the war. Root was inducted into the Songwriter’s Hall of Fame in 1970, seventy-five years after his death. | The melodeon was a reed organ (reeds instead of pipes produced the sound) with foot-operated vacuum bellows (which modified the sound) briefly popular in mid-nineteenth century America. Small and relatively portable, it was usually found in domestic settings, but often substituted for a pipe organ in small churches.








