“The Wonderments” allow the hero of Bill Broun’s spellbinding debut novel Night of the Animals to talk to the animals in Regent’s Park Zoo. Justin Hickey reviews.
According to a new book, not only did God design life, but deep down inside, we all know it. Steve Donoghue remains unconverted.
Diane Arbus’s photographs are weird. Their subjects are weird. She herself was weird. A new exhibit takes us back to the origins of that strangeness –and asks what it says to us now.
Stuart Jeffries has written the first truly accessible account of the Frankfurt School. Robert Minto reviews.
Even today, women composers still struggle for recognition. Michael Johnson explores the life and work of the unjustly forgotten Germaine Tailleferre.
2016 marks the 50th anniversary of the publication of Mesa Selimovic’s modernist Yugoslavian masterpiece; Pedja Jurisic looks at Death and the Dervish today.
The masterful essays in Gregory Wolfe’s The Operation of Grace range from Mel Gibson to Thomas More, from Annie Dillard to Christopher Hitchens. Martyn Wendell Jones reviews.
Computer wizardry in Minneapolis and sexual abuse in North Yorkshire: the latest gripping books from two veteran mystery authors.
It’s been years—too long!—since Martha Argerich has preformed solo. Greg Waldmann eagerly pours thorugh her new DVD and the history of her brilliant career for clues to her reclusiveness and for glimmers of hope.
As the Smithsonian’s new exhibit confirms, Richard Estes is the preeminent photo-realist painter of our time or–most likely–of any time. But to what extent is photo-realism an art worth practicing? And what does it do?
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