DC Comics gives writer/artist Darwyn Cooke’s masterpiece The New Frontier, a shrewd and powerful re-imagining of DC’s iconic superheroes, the glorious hardcover edition it deserves. Justin Hickey re-reads.
The Works Progress Administration did more than set thousand of Americans to building bridges and roads in the 1930s; it also fostered art, as an exhibit at the Smithsonian’s National Art Gallery lavishly illustrates.
When Homo sapiens appeared in Europe 45,000 years ago, most of the long-established species there – including the Neanderthals – began to disappear. Did Homo sapiens wipe them out? And if so, did they have help from somebody right there in your living room?
Ron Howard’s adaptation of Nathaniel Philbrick’s bestselling In the Heart of the Sea will soon appear, but even the trailers raise rich questions: Why does this story still have the power to fascinate? A Moby-Dick fan ponders.
When we say of someone that they died too early, does this posit that there is a perfect time? How does the meaning of a life change the longer it’s lived. Jenny Erpenbeck’s new novel End of Days explores some answers.
Stalking the pages of Thomas Pierce’s debut story collection, where the surreal shares quarters with the ordinary, are dwarf mammoths, genetically modified guard dogs, baby Pippin monkeys, and a parakeet named Magnificent.
Matthew Lippman’s third poetry collection sings of the joys and sorrows of married life – and ventures onto broader societal stages as well. The result shows the reader in new detail a world they thought they knew.
The Friendship of Criminals by Robert Glinski is a fresh, original and totally entertaining perspective on mob relationships; A Murder of Magpies is Judith Flanders deliciously wry take on murder and publishing.
Irma Heldman dives into a rollicking, bawdy yarn depicting an infamous, turn-of-the century caper masterminded by Professor Moriarty—Sherlock Holmes’ archenemy. Then she matches wits with a cheeky mini-tome refuting the great detective’s solution to his most illustrious case.
Julio Cortázar and Gabriel Garcia Marquez brought Latin American fiction to the attention of the world. Now a young crop of writers are trying to move beyond magical realism–a new anthology charts the diverse approaches.