Horror fiction may not at first compare with more respectable genres, but look a bit closer. Horror is one of the oldest emotions known to man, and the artists who’ve evoked it have been some of our most brilliant and most strange …
It’s comforting to believe there are lessons to be learned from the Holocaust, or to treat it as a story about the triumph of the human spirit. Jona Oberski’s Childhood rightly refuses us these consolations.
As the Smithsonian’s new exhibit confirms, Richard Estes is the preeminent photo-realist painter of our time or–most likely–of any time. But to what extent is photo-realism an art worth practicing? And what does it do?
The voice of poetry can often be the voice of lyric witness, turning our attention to moments in history that would have eluded us, or that might never have been felt as well as understood. These titles perform this function about as well as it can be done.
Two recent votes on independence remind us that globalization has not put an end to nationalism. A new book on the 1995 Quebec referendum highlights just how complicated a people’s “yes” or “no” votes really are.
The contemporary American short story is a kind of stunt double for the novel. Monica McFawn’s Bright Shards of Someplace Else is one such collection, each of its eleven stories posturing like a dare accepted.
Historical novelist Andrew Levkoff stuffs the last installment of his “Bow of Heaven” trilogy with battles, love, loyalty betrayed, crucifixion, cross-purposes, loyalty regained, and deep reflections on what it all means.
Once he’d led the Continental Army to victory, General George Washington retired to his Mount Vernon home – but the newborn country wasn’t done with him yet. A new book looks at First Citizen Washington.
From the Puritans and their city on a hill to the Mormons to modern-day charlatans, the story of the United States is the story of competing faiths; a lively new book looks at that complicated tapestry